Journalism and Responsibility
On Monday 22nd of February, Paul Sheehan, an Australian reporter from the Sydney Morning Herald (SMH) released a double page spread about an Australian woman named Louise. She claimed to have been brutally assaulted and raped by a group of men from a specific ethnic minority group. In the article the sub-heading stated, “We’ll never know the scale of the rape epidemic in Sydney”.
Louise’s story was later shown to be fictitious.
The article was then retracted by the SMH, but the stigma associated with the ethnic minority group is likely to remain, just like the stigma has remained with refugees and asylum seekers from the “Children Overboard Scandal”. The damage created by the media is difficult to reverse.
This is because such stories conjure up horrifying images in the minds of readers and whilst reading the article, the readers believe the information that they are consuming is fact. The initial shock value of these stories has a real affect in the mind of the reader; it virtually imprints itself like an un-washable stain.
The ABC’s “Media Watch” recently investigated the SMH report and showed an Australian woman speaking at a Reclaim Australia rally at Martin Place on April 4th 2015. This was Louise telling the same story that Sheehan reported in the SMH in February 2016. To call the story “news” is debatable.
To add insult to injury in this saga, the SMH printed a small apology (of 99 words) in the bottom corner of page 2 on the following Wednesday. That’s right: the lie takes up two pages and the truth gets 99 words.
The most basic form of modern racism makes people from minority ethnic backgrounds invisible. A more sinister form of racism makes people visible through negative acts.
Even if the SMH story was true it would still be a form of racism to nominate the ethnicity of the men because it’s really not important. If the story happened to be true, then the rapists are still rapists regardless of their ethnic or cultural background.
To make any impact on achieving racial equality, journalists need to play their role: to tell real stories as they happened, and without prejudice. After all, racism stops with every single one of us.
With the Christmas season fast approaching, it is now that time of year to start looking for presents for our near and dearest. In the lead up to Christmas All Together Now will be looking at different retailers that have embraced racial diversity and multiculturalism in their products. One market that has only recently been blessed with racial diversity in the past decade are toys for children, in particular dolls and figurines.
In the US only last year, a man was confronted with the misfortune of finding out if he was to purchase an African American Barbie doll for his daughter, he would have to fork out more than double the cost of its Caucasian counterpart. When the retailer in question was queried about the discrepancy in price, they offered the man the doll for the lower price and released a statement apologizing for the ‘systems issue’ that caused disparity.
A generation ago in Australia, it was extremely rare to see a doll that wasn’t white, the vast majority of them with blonde hair and blue eyes. Australian children who were Asian, Aboriginal or from other minority groups never saw features resembling their own on a doll, nor any resemblance of their culture.
Fortunately, there has been a shift in the toy market here to reflect the multicultural, multiracial reality of our society. Earlier this month Jonathan Thurston was spread across national headlines not only for leading the Cowboys to victory in the Rugby League final, but also for the notably dark-skinned doll his two-year-old daughter Frankie was holding. It may not be very obvious yet in the toy sections of our variety stores but it is very evident in specialised toyshops and the educational toy suppliers that stock our day-care centres, pre-schools & early primary schools.
Diversifying the colour of dolls is the first step, but it is important to show a child that not only is your ethnic background worth embracing, but also that your background does not pigeonhole what you’re capable of. This is an important step in teaching not only children but also adults the way in which we can teach our future generations how to understand and participate in multiculturalism.
Kangaroo has a variety of different toys at different price points, including a variety of different finger puppets.
Target stores stock particular brands that offer affordable dolls such as the Lots to Cuddle Babies ($9).
All Together Now was lucky enough to catch up with one of our ambassadors, L-Fresh the Lion, who has been a trailblazer for social justice in the hip-hop music scene. Natalia spoke to L-Fresh not only about how he got into the hip-hop industry in the first place, but how he embraced his culture as a practicing Sikh into his music, and what his thoughts were on diversity in the entertainment industry in Australia.
All Together Now: How do you express your cultural and ethnic identity through hip-hop? Do you think that music and hip-hop, particularly, is a universal platform that may be understood by everyone regardless of their cultural background or religion?
L-Fresh the Lion: Hip-hop music and hip-hop culture in general, I think, is one of those beautiful things which goes beyond the barriers of race, class, gender, politics and any type of inequality, and becomes a force that brings people together in a positive way. In terms of my cultural identity, I think that this is an inevitable part of me that comes across everything that I do without having me to think about it. This is so much a part of who I am from the formation of my values to more notably in my appearance as I am a practicing Sikh. So, you know, culture is there in everything that I do.
All Together Now: Are you keen to express your views on racism in your lyrics? What motivates you to speak up?
L-Fresh the Lion: I’ve been thinking about it since the first time I wrote my lyrics, when I was a 14-years-old teenager in high school. The first thing I ever wrote was called ‘World of Discrimination’, talking about my experience with racism. So, it started from the very beginning. I think it was one of the core things that brought me to a space where I felt like I needed to write music. Again, it’s one of those things that influenced me in that I was raised by my parents and by those around me to be a vocal and active member of society, to be someone who is interested in not only uplifting those around me in the community, but also to be a positive force in a world. I feel that it’s my duty to use this platform, to be able to develop life through the music, and positively contribute to the world around me. Moreover, one of those things that I am obviously talking about is my experience with racism. And I think it is still here, because this is a very prominent issue in our society today.
All Together Now: Why did you join All Together Now? What led you here?
L-Fresh the Lion: All Together Now is the only organization existing in a 24/7 basis in Australia, which calls to address racism in a positive way. One of the important things I’ve seen All Together Now do is work with young people, while taking innovative approach to tackling racism. All Together Now makes people feel like they are active participants in creating a better society. That was important for me not only personally, but also because regardless of what I was doing, or speaking about, I was always trying to find a way to address this problem. When I found All Together Now operating in that space and I heard about their projects, I wanted to be involved and be able to help them and to make contributions.
All Together Now: How much is the spirit of multiculturalism felt in the underground hip-hop community? Is this community open to everyone who is willing to join it?
L-Fresh the Lion: Hip-hop since its inception is in America, but also in Australia has been very multicultural. Some of the first people who operated in the space of hip-hop in Australia came from all worlds of life. From the perspective of the present, contemporary hip-hop is on the level where you have people from diverse backgrounds, operating in this space. This is because, like I mentioned earlier, hip-hop erases all those barriers that tend to differentiate us as human beings. So, it’s a very multicultural space that often doesn’t get reflected in mainstream media. That’s because we have issues in the entertainment industry as a whole, which haven’t been spoken about quite extensively. Most recently it was discussed, I think on Sunrise, there was debate about the lack of diversity in the entertainment industry and, more specifically, on TV. Lack of diversity is something that is prevalent in all entertainment industries in Australia. But the roots of this problem are on a community level. That is what people don’t see unless they are active participants in hip-hop. Hip-hop is very, very diverse.
All Together Now: Do you have a big dream? What is that?
L-Fresh the Lion: Wow (laughing), I have lots of dreams. I suppose, it depends on context, you know, because I have dreams in a variety of different aspects in my life. If we are talk about dreams on my personal level, I have dreams in terms of what family I would like to build, or dreams about music. But I also have dreams about what I would like to see in politics, or what I would like to see in the world. I think, those things are important, and I want to share these dreams with people. I would like to see a country that could be an example of a space of values. I’d love to see the dominant culture in Australia becomes one of welcome, one of love and compassion, and one of valuing all human lives equally, and not some more than others.
I would like to see these dreams not just be reflected on a theoretical level, but enforced on a practical level. To ensure that inequality is addressed, we firstly have to begin with the inequality gap between Indigenous Australians and the rest of the community, as well as looking at the gender inequality between Australian men and women. The discussion of inequality is also raised when we are talking about the way we treat asylum seekers and refugees, and migrants in general in the context of race. I think these are all things that come down to the culture we live in, especially when we don’t have a dominant culture that consists of positive values. I would like to see Australia leading in that space of positive values. It is a dream that I have to speak out about, because Australia could be a leading example of positive racial culture and show this to the rest of the world, so that they can follow.
All Together Now: What do you consider makes a person a ‘Real Australian’?
L-Fresh the Lion: I think the answer to this question is something that I have been looking for my whole life. Been born in Australia, in South-West Sydney, and growing up here for a long period of time, and even to this day at some point, I’ve been made to question myself. People have questioned how Australian I am, because I don’t look like what people would consider an average Australian to look like. I look culturally different. So, I’ve been looking for that answer for a long, long time, because at what point can we collectively determine who is and who isn’t an Australian?
You know, I think, that the answer is obvious when you ask does the person have an Australian passport, or is that person an Australian citizen. But when you enter the term ‘Real Australian’ that makes things much, much more complicated. ‘Real’ becomes a question mark. How can we determine it? I think some important questions come with this word and we need to think about it. I don’t think that I have as an individual the sole power to determine who is or who isn’t a ‘Real Australian’. And I think that it’s a collective conversation that needs to be held one day so that Australia can have a discussion on race from a power and structural frame of mind.
Find out more about L-Fresh the Lion here.
L-Fresh the Lion was also featured on Pro Bono here.
Episode #4: “Yes, but where are you really from?”
Here continues our series of “10 signs you might be casually racist”: in this episode we hear about one of the most casual, and seemingly innocent questions can have deep racial connotations.
The reason the question “but where are you really from?” is racist is due to the history of immigration and naturalization in Australia. There is a myth about the Anglo-saxon as the true native of Australia, therefore, the true Australian. Everyone but the British were intentionally kept out with strict planned migration. This changed when the Great Depression (1930s) and Second World War (1939-1945) lead to high death rates and low birth rates, and slowed migration.
In the end Europeans were encouraged to come, many of them being DPs (Displaced Peoples) from the War. Those from other countries in Asia, the Pacific, Americas (unless of European heritage), Africa and the Caribbean (even those they were British subjects or citizens) were still barred from emigrating to Australia.
Anyone not found to be European (with favour towards Baltic states and Northern Europeans) was classified as an “alien” amongst legal and political terminology. While these were attitudes that ended 40 years ago, they are still in the very recent history of Australian society and therefore, still find their ideas (even subconsciously) within the psyche of the nation.
If you would like to read more about the issue we suggest White Nation by Ghassan Hage, Orientalism by Edward Said, and any book on Australian immigration by James Jupp.
“Justice is what love looks like in public.”
What could you expect from an Evening with Dr. Cornel West? He is a man who is a theologian, philosopher, poet, author of 20 books, and a love warrior. His real, truthful and revolutionary philosophies reverberate in the changeable and mood swinging beats of jazz and blues greats of the 20th Century.
Dr. Cornel West opened with his most important point:
In the face of 400 years of being hated for the way [African-Americans] look the community has produced the ultimate counter product: “love warriors.”
This is the ability to love in the face of animosity and is the most beautiful action one could possibly take. The death of restrictions of social concepts like gender, race, sexuality, the poor and wealthy allows for openness through that positive force of love. This is what makes governments so timid and frightened by non-violent movements like Martin Luther King, Gandhi and Nelson Mandela.
The creation of love warriors is part of this three-point theory to create love that occurs in the social down-trodden and marginalized communities: At first grief and crying occurs; then there is silence; and finally, music.
Music and dance was one thing that could not be taken away from the African slaves taken to America. Even though their language, culture, food and children were altered until they no longer knew where they came from; they held on to what they could through dance, song and music. This is the case for many displaced peoples. Poetry and music are important parts of holding on to a culture and remembering history. This is a long tradition that is still relevant and important in our contemporary culture in reviving the untold history keeping this nation from moving forward.
What we learnt from Dr. West:
What Australian society can really take away from Dr. Cornel West is the point about collective understanding to create great social change. We should not white wash over the history of this nation. It is important to remind ourselves of the true facts and to teach them to the generations to come. The arts will play an important part in reclaiming that history and restoring it. The arts helps us listen to the voices of the marginalized, and most importantly of the Indigenous population of Australia to create a new identity. By embracing this, Australia would begin to move forward and become the harmonious country it is striving to be.
Australia: Are we ready to dance to the new sound track to reform this nation?
You can also sign up to the All Together Now fortnightly e-newsletter to see what projects we are undertaking to do our part in engaging in social reform and bringing an end to racism nation-wide.
A few weeks ago, we asked you to respond to a quick survey to answer the question, ‘How do you respond to Racism?’ We have collected your answers and have presented these in the following infographic. Thank you so much for responding to the survey, and for helping us to get to know you better!
The survey had three questions, which were:
1. If you have been a victim of racism, how did you feel?
2. How did you respond?
3. If you have been a witness to racism, how did you respond?
Here are your responses:
How do you respond to Racism? by All Together Now is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported License. This survey was conducted online and anonymously via Surveymonkey. A total of 24 participants contributed their responses to this survey.
You are welcome to download (JPEG) and print this infographic providing you observe this license.
All Together Now is a not-for-profit organisation. If you have found this infographic useful, please make a donation of $25 to help us continue to create more like this one.