We are working on an interesting YouTube video lately! Would you like to be a part of it? Read on to know more.
Camille, our Intern from France, is creating a Youtube video highlighting the stories of those who have personally experienced racism. Here is a little glimpse of what you will get to see (alternatively you can click on the picture above). The goal is to spread awareness on how racism personally affects people and why it needs to be challenged. We believe that the sharing of stories helps us to understand each other and break down the barriers that divide us. What’s more, we will share some helpful links on how you can overcome racism in different walks of life. You can reach Camille at [email protected].
Ben* has lived across Australia for nearly a decade now. He has called Adelaide, Sydney and Melbourne home, yet he has faced overt as well as subtle instances of racial discrimination and harassment across all three cities.
Sydney was in some ways, the most brutal where Ben felt a near-constant undercurrent of resentment. He believes that the rise of populist nationalism around the world certainly seemed to have a direct impact on the sentiments on the streets about “outsiders”, here in Australia as well. The harshest incidents of abuse Ben faced were in the wake of Trump rising to power and the terrorist attack in France. Something as seemingly simple as sporting facial hair turned him into an easy target for harassment. Ironically, while a beard on an Anglo Australian man is considered trendy, the same beard on Ben made him the subject of name calling and abuse.
Ben was commuting by bus to work one morning. He was listening to music on his headphones and reading a book. He noticed that a man who had been sitting up front moved to sit in the seat right in front of Ben when it became available. Soon, just before this man’s stop arrived, he turned to Ben and asked him if he was South American. When Ben said no, he snarled “get out this f****** country” and got off the bus. Nobody else on the bus said anything – either to comfort and support Ben or to the man.
Also read: Racism in Public Transport
Another time, when Ben was travelling by train, in a similar vein, another man, walked up to Ben, spat on his face and said, “Get out of this country, you terrorist!” Determined that he ought to do everything in his power to help prevent such incidents from happening, this time, Ben decided to lodge an official complaint. He went to the police station, requesting that the cops look at the CCTV footage from the train cameras and provided them with specific details around the time of the incident and which train he was on. The police, however, refused to register a complaint, and treated him with indifference. Ben struggled with a sense of shame after this incident, and grappled with the validity of his choice to be in Australia, for a while.
He continues to live and work in Australia, and hopes that someday, people of colour won’t have to work so hard to survive and thrive here.
You can help All Together Now by donating to us, in order to help us achieve our goal of an Australia free of Racism and Discrimination.
*name changed to protect privacy
Every second month, All Together Now awards one of its volunteers with the “Star Volunteer” award. This time around, our Star Volunteer is Deliana Lacoban.
Deliana’s role at All Together Now is to monitor the mainstream media and make note of how specific news outlets report on race. To our knowledge, the work Deliana is doing has never been done in Australia before, and this presents particular challenges as Deliana needs to adjust her approach as she works.
Deliana decided to volunteer at All Together Now because the organisation reflects her values and the issues she is passionate about. Deliana has studied discrimination and race at university for the past few years, and recently decided that she wants to do something about these issues.
On volunteering at All Together Now, Deliana says “I like the feeling that we’re doing something that matters. But I’m also surprised in a negative way to know that what we’re doing here hasn’t been done before.
“I also like the flexibility and the fact that I can bring my experience and expertise to what I’m doing. And working in a team – it’s great that we all listen to each other.”
If you’d like to join Deliana and volunteer at All Together Now, please email your CV to [email protected] and let us know what type of roles you are interested in.
I’ve seen the power of the arts to move, to educate, drive change and foster social cohesion many times. I experienced it intensely first hand, when I produced Crossings: Songs from the East in 2013.
The concert showcased a cross-cultural collaboration of traditional and improvised music spanning the Greek, Kurdish, Arabic and Persian traditions. It was an exciting coming-together for the first time of local Sydney-based musicians; four out of the five were first generation Australians from diverse cultural and linguistic backgrounds. They drew from both their musical heritage and their contemporary experience of multicultural Australia.
The audience, which we surveyed, said things like:
“Beautiful to see a coming together of cultures through the arts”…
“Brought back memories of home”…
“Wonderful! Especially watching the musicians improvising – working together… so much richness (and they say multiculturalism doesn’t work)! It is alive and brings so much richness to our lives and to Australia”…
The experience of that production impacted all involved, from the artists to the audience and everyone in between, in ways that only arts and cultural experiences can sometimes – on the level where words cease and only the senses and the human spirit exist. One comes away from an experience like that with a sense that something in them is a little different… a little changed.
As an audience member watching the Sydney Theatre Company’s latest production of The Secret River, I came away with exactly that feeling. I was shattered at the brutality of the story – the brutal truth in the story – but I was compelled to watch and listen.
I felt like I was bearing witness to a history not told often enough. In the author, Kate Grenville’s, words: “This book isn’t history, but it’s solidly based on history. Most of the events in the book “really happened” and much of the dialogue is what people really said or wrote.” Knowing this, I felt the weight of responsibility, like I was almost charged with the duty of carrying this history on, of re-telling it. So I made it my mission for days afterwards to tell everyone I met to go see the show.
It was hard to watch at times. The woman sitting to my left had her eyes closed for much of the massacre scene. It wasn’t explicit or visually disturbing – but it sat in that space – the space where words cease and only the senses exist. Clearly for the woman beside me, her senses were in overwhelm. I was grateful that the night I attended happened to be followed by the Q and A session with the actors and co-director afterwards – it was an opportunity for the audience to re-compose and debrief almost. More than that, it was a way to bring the savage racism of our history into the present.
The discussion that ensued was open and honest. The actors told of their own experiences of facing and witnessing racism today. Actor Ningali Lawford-Wolf told of how she was refused a ride by four taxi drivers on the street just outside the theatre. Richard Piper, who played the most savage of the white characters, talked of how the experience of being a part of this production changed him – made him reflect on times where he had been a bystander to racist incidences and had not acted. He spoke of the need for us all to speak up and take a stand in similar situations, and of his resolve to do differently next time. An audience member asked the questions: “What can we do? How can we do better when we leave this theatre?”. One of the younger cast members, Madeleine Madden, spoke about the power of the arts to move and affect change. Everyone on stage seemed to acknowledge a sort of shared social responsibility to tell the story with authenticity and sensitivity.
I came away with the feeling that the sentiment in that Q and A session was shared company-wide, and with 2 mins of online research I discovered the Sydney Theatre Company’s ‘Human Rights and Social Performance Statement’ As part of STC’s commitment to “operating as a responsible organisation” they state: “STC’s statement on Human Rights and Social Performance reflect our ability to uphold human rights within our organisation and our sphere of influence. We adhere to both international and local human rights legislation and reflect these in our human resources policies, practices and Code of Conduct.” Further down, in relation to audiences and the arts industry, it states: “We share our learning and promote human rights issues through giving voice to social issues by our choices in productions and our industry networks by contributing to conversations.”
This initiative – of writing the importance of social responsibility into the policies and strategic objectives of an organisation – is exactly what we need more of – especially in the arts and cultural industries, whose core ‘business’ is in the creation of meaning.
Go and see The Secret River if you can. Or read the book. Or watch the TV series. And share the story. Continue the conversation. It is our shared responsibility.
Review by Kiriaki Zakinthinos
Kylie O’Reilly is the Managing Director of the Agency Division for Australian Associated Press (AAP), the national news agency of Australia. Kylie has over 15 years’ experience in the media industry and holds an MBA from the University of Technology Sydney.
Kylie has been the Chairperson of All Together Now for some years, helping to lead the organisation through to some great achievements.
We now interview her about her role in the organisation, her passions and goals before she heads off to run in the Blackmores Sydney Running Festival, this Sunday 20th September, 2015.
All Together Now: You can be a role model of modern woman. Many girls in Australia can take you as an example, how to be successful in life. Can you tell me what story is hidden behind your decision to refocus from Managing Director at AD AAP to the role of a chairperson in not-for-profit organization? Why did you choose anti-racism focus?
Kylie O’Reilly: Firstly, the reason, why I chose to contribute my time as a chairperson to All Together Now, was because I want to do something to make a difference. So, for me was important to be sure, that I can contribute my skills into their work, make a difference into the community. But the most important driver was an ability to participate. My previous experience was very much commercial and corporate, and it’s great, it’s nice to help businesses to make money and to employ people. But, when it gets down to having children and to be a part of a family and a community, I realized that I want to see my children living in a better place. That’s why I chose All Together Now. And I thought, that one of these topics (racism) would be committed to, because it is a hard work, [and] it is not an easy thing to be part of it. It’s not one of the topics, which everyone would easily contribute to, such as animals’ rights, cancer or children, – it is much tougher. As for me, I like challenges and being able to contribute to the good.
ATN: Kylie, if you could compare from the perspective of racial discrimination Australia of your childhood and Australia today, what differences can you list?
Kylie O’Reilly: I think, nowadays we are much more aware. There are two major things. First of all, when I grew up it was a very white Australia, where I was. Australia wasn’t so multicultural. I spent my childhood on the Northern beaches