In order to encourage people to share their own experience, their own thoughts about racism, All Together Now proposes book clubs across Australia. If you are interested in fighting racism, and all kind of discrimination, and also in reading, this Club is made for you.
Every month, we will propose you a new Australian book with new questions to deal with the problem of racism in depth.
Our first book club will be held in Sydney on March 1st at 6pm. For those who are not in Sydney, do not worry, book clubs are planned in Brisbane, Perth and Melbourne. Join the Racial Equality Book Club on MeetUp for updates on meeting dates, times, locations and of course books!
Our first book for the year is the award-winning Populate and Perish, written by George Haddad. The author is Sydney-based and so has volunteered to come to the Sydney book club. The book is under 100 pages, so you still have time to read it and join us!
“Nick is treading water. No boyfriend. No career. Living in a granny flat in Fitzroy North. On a whim he decides to travel with his twin sister, Amira, to Lebanon in search of their estranged father. Their mother, who passed away a couple of years earlier, only ever referred to him as the kalb – the dog. In Beirut Nick and Amira find family, a sense of belonging and surprising answers to questions they hadn’t known to ask.“
One family. Two wars. Three countries. What does it take to forge a new life far from home?
On the 23 November, All Together Now is holding an exclusive screening of Constance On The Edge at the Dendy Opera Quays.
Filmed over ten years, Constance On The Edge is a documentary about a Sudanese refugee family that settled in New South Wales. Constance on the Edge gets to the heart of a contemporary untold story about the courage and resilience it takes to build new lives. The film also highlights the important role communities play in encouraging a sense of welcoming, healing and belonging.
Discover the official trailer here:
Following the screening, a panel with discuss the issues related to racism, belonging and integration that are highlighted in the film, with Belinda Mason, director of the movie, Oishee Alam, antiracism academic, and Vijhai Utheyan, son of Sri Lankan refugees.
“Constance on the Edge is a powerful and beautiful story of a refugee family who will do everything to protect each other while navigating the challenging settlement journey in Australia. It’s a heartwarming film and a reminder that welcoming is the most powerful tool we have.”
CEO, Welcome to Australia
Book your tickets now!
All profits will be used by All Together Now to promote the prevention of racism.
The Sydney Morning Herald recently published an article about 7-Eleven workers of Indian descent continuing to being exploited, despite the outcry back when the exploitation was originally exposed in September 2015.
These immigrant workers were being paid as little as $16 to $0.43 per hour, and well below the minimum rate.
You have to congratulate the Australian Press for and not discussing the broader issue at hand i.e. racism.
Why is racism such a taboo topic to us? Australia is still marred by its own history, the period of colonisation and assimilation, which upended the First Australians and many migrants.
Much has been said and talked about the past, including former Prime Minister Kevin Rudd saying “Sorry” to the Stolen Generations of Aboriginal people. However, there is a sense of hubris here in the analogy here that once an apology to Aboriginal people, forever no more racism in Australia altogether.
The reality is very different.
Today the country now has over 40 different ethnic racial groups living inside our borders and roughly 1 in 5 Australians have experienced racism in their lives.
Enter Malcolm Turnbull, the Prime Minister who claims to be right-progressive. For the incumbent PM I have one of my own policies: vouch for a multicultural (and intercultural) Australia.
Alongside the $1bn Innovation boom and the $1bn Clean Energy Innovation Fund, put aside some money to a government initiative: Cultural Diversity Future Fund.
The aforementioned Cultural Diversity Future Fund will be two-pronged: Firstly research into contemporary ethnic and racial issues for 22nd century Australia. And secondly, commercialising these ideas through the creation of a multicultural, intercultural Australia, which defines people based on talent, or contribution to the economy, instead of ethnicity.
A culturally diverse 22nd century Australia.
I’ve seen the power of the arts to move, to educate, drive change and foster social cohesion many times. I experienced it intensely first hand, when I produced Crossings: Songs from the East in 2013.
The concert showcased a cross-cultural collaboration of traditional and improvised music spanning the Greek, Kurdish, Arabic and Persian traditions. It was an exciting coming-together for the first time of local Sydney-based musicians; four out of the five were first generation Australians from diverse cultural and linguistic backgrounds. They drew from both their musical heritage and their contemporary experience of multicultural Australia.
The audience, which we surveyed, said things like:
“Beautiful to see a coming together of cultures through the arts”…
“Brought back memories of home”…
“Wonderful! Especially watching the musicians improvising – working together… so much richness (and they say multiculturalism doesn’t work)! It is alive and brings so much richness to our lives and to Australia”…
The experience of that production impacted all involved, from the artists to the audience and everyone in between, in ways that only arts and cultural experiences can sometimes – on the level where words cease and only the senses and the human spirit exist. One comes away from an experience like that with a sense that something in them is a little different… a little changed.
As an audience member watching the Sydney Theatre Company’s latest production of The Secret River, I came away with exactly that feeling. I was shattered at the brutality of the story – the brutal truth in the story – but I was compelled to watch and listen.
I felt like I was bearing witness to a history not told often enough. In the author, Kate Grenville’s, words: “This book isn’t history, but it’s solidly based on history. Most of the events in the book “really happened” and much of the dialogue is what people really said or wrote.” Knowing this, I felt the weight of responsibility, like I was almost charged with the duty of carrying this history on, of re-telling it. So I made it my mission for days afterwards to tell everyone I met to go see the show.
It was hard to watch at times. The woman sitting to my left had her eyes closed for much of the massacre scene. It wasn’t explicit or visually disturbing – but it sat in that space – the space where words cease and only the senses exist. Clearly for the woman beside me, her senses were in overwhelm. I was grateful that the night I attended happened to be followed by the Q and A session with the actors and co-director afterwards – it was an opportunity for the audience to re-compose and debrief almost. More than that, it was a way to bring the savage racism of our history into the present.
The discussion that ensued was open and honest. The actors told of their own experiences of facing and witnessing racism today. Actor Ningali Lawford-Wolf told of how she was refused a ride by four taxi drivers on the street just outside the theatre. Richard Piper, who played the most savage of the white characters, talked of how the experience of being a part of this production changed him – made him reflect on times where he had been a bystander to racist incidences and had not acted. He spoke of the need for us all to speak up and take a stand in similar situations, and of his resolve to do differently next time. An audience member asked the questions: “What can we do? How can we do better when we leave this theatre?”. One of the younger cast members, Madeleine Madden, spoke about the power of the arts to move and affect change. Everyone on stage seemed to acknowledge a sort of shared social responsibility to tell the story with authenticity and sensitivity.
I came away with the feeling that the sentiment in that Q and A session was shared company-wide, and with 2 mins of online research I discovered the Sydney Theatre Company’s ‘Human Rights and Social Performance Statement’ As part of STC’s commitment to “operating as a responsible organisation” they state: “STC’s statement on Human Rights and Social Performance reflect our ability to uphold human rights within our organisation and our sphere of influence. We adhere to both international and local human rights legislation and reflect these in our human resources policies, practices and Code of Conduct.” Further down, in relation to audiences and the arts industry, it states: “We share our learning and promote human rights issues through giving voice to social issues by our choices in productions and our industry networks by contributing to conversations.”
This initiative – of writing the importance of social responsibility into the policies and strategic objectives of an organisation – is exactly what we need more of – especially in the arts and cultural industries, whose core ‘business’ is in the creation of meaning.
Go and see The Secret River if you can. Or read the book. Or watch the TV series. And share the story. Continue the conversation. It is our shared responsibility.
Review by Kiriaki Koubaroulis
Last week on Thursday and Friday, the 5-6th of November, the 2015 FECCA National Conference took place in Sydney. FECCA, the Federation of Ethnic Community Councils of Australia, is the peak national body representing Australians from culturally and linguistically diverse backgrounds. The two-day conference brought hundreds of leading decision makers, scholars, and experts together, all with a collective desire to debate and discuss key issues relating to multiculturalism.
It was positive to have our politicians cohesively acknowledge how a better embracement of multiculturalism will lead to a better future for all Australians. Senator the Hon. Concetta Fierravanti-Wells acknowledged how important it is for Australians to recognise our country’s history of successful migration and how this is a legacy worth protecting. The Hon Tanya Plibersek addressed the tokenistic manner in which multiculturalism is often highlighted, and how “multiculturalism is more than the ethnic food festivals and parades” it is so often limited to. Senator Richard Di Natale confronted how the government cannot support multiculturalism through policy yet repeal s18C of the Anti-Discrimination Act and “open the floodgates to racism”. By our political parties dismissing their governmental differences in order to show a united front in the name of multiculturalism shows a common interest by our democratic leaders in the face of racial discrimination, and how important the issue of racism is to our parliamentary leaders.
The conference held concurrent forums on key issues related to multiculturalism such as equity in disability, productivity through diversity, cyber racism, and multicultural broadcasting and communications. In the forum addressing ‘The Cultural Dividend of Multiculturalism”, Ross Tzannes AM cited Anne Phillip’s quote “Harm could come to our minority groups if we trivialise their culture”, and noted how cultural diversity in the workplace is often paraded around as a marketing tool, without recognising the intrinsic value cultural diversity has in itself. Liz Deep-Jones also explored the idea of multiculturalism in the workplace. Having over twenty years experience at SBS, Liz brought up to the discussion how integral it was for her workplace of the media, in particular, to bring education of other cultures to the forefront of broadcasting. Liz expressed how Australia is a country so rich in diversity, we are able to put on shows such as Living Black, or a news program addressing Chinese Australians that is spoken in Manderin but with English subtitles, to be as inclusive as possible.
In “Enabling Better Health”, key scholars and medical practitioners brought together their unique experience and knowledge of how minority groups often struggle to get access to the Australian healthcare system. Dr. Sara Javanparast expressed her disdain at the resistance of general practitioners to using interpreting services to fully engage migrants with our healthcare system. This apprehension of interpreting services was also of concern to Rosemarie Draper, who has taken action addressing this problem with a health literacy approach. Rosemarie represented the Royal District Nursing Service (RDNS), and showed how the RDNS has created unique talking books that take all cultural diversities into consideration. For example, their talking book on Type 2 Diabetes in Vietnamese is freely available on the RDNS’ website, and provides both written and audible health information in Vietnamese at the equivalent of an English grade 6 level, in order to be more inclusive of the community.
Many more forums were held addressing key areas that have felt the impact and influence of multiculturalism, and all the speakers at the conference agreed that multiculturalism is the necessary narrative for the future of Australia. The conference ended on a positive note, with the 2014 Australian Youth Representative to the United Nations, Laura John, concluding the forum with some personal accounts of her own experiences that led to her personal understanding of what multiculturalism means. The 2015 FECCA conference was an irrefutable success, and All Together Now can’t thank FECCA Chair Joe Caputo OAM for bringing these creative and scholarly minds together to collaborate and discuss the possibilities the lie ahead for the Australian community.
All Together Now was lucky enough to catch up with one of our ambassadors, L-Fresh the Lion, who has been a trailblazer for social justice in the hip-hop music scene. Natalia spoke to L-Fresh not only about how he got into the hip-hop industry in the first place, but how he embraced his culture as a practicing Sikh into his music, and what his thoughts were on diversity in the entertainment industry in Australia.
All Together Now: How do you express your cultural and ethnic identity through hip-hop? Do you think that music and hip-hop, particularly, is a universal platform that may be understood by everyone regardless of their cultural background or religion?
L-Fresh the Lion: Hip-hop music and hip-hop culture in general, I think, is one of those beautiful things which goes beyond the barriers of race, class, gender, politics and any type of inequality, and becomes a force that brings people together in a positive way. In terms of my cultural identity, I think that this is an inevitable part of me that comes across everything that I do without having me to think about it. This is so much a part of who I am from the formation of my values to more notably in my appearance as I am a practicing Sikh. So, you know, culture is there in everything that I do.
All Together Now: Are you keen to express your views on racism in your lyrics? What motivates you to speak up?
L-Fresh the Lion: I’ve been thinking about it since the first time I wrote my lyrics, when I was a 14-years-old teenager in high school. The first thing I ever wrote was called ‘World of Discrimination’, talking about my experience with racism. So, it started from the very beginning. I think it was one of the core things that brought me to a space where I felt like I needed to write music. Again, it’s one of those things that influenced me in that I was raised by my parents and by those around me to be a vocal and active member of society, to be someone who is interested in not only uplifting those around me in the community, but also to be a positive force in a world. I feel that it’s my duty to use this platform, to be able to develop life through the music, and positively contribute to the world around me. Moreover, one of those things that I am obviously talking about is my experience with racism. And I think it is still here, because this is a very prominent issue in our society today.
All Together Now: Why did you join All Together Now? What led you here?
L-Fresh the Lion: All Together Now is the only organization existing in a 24/7 basis in Australia, which calls to address racism in a positive way. One of the important things I’ve seen All Together Now do is work with young people, while taking innovative approach to tackling racism. All Together Now makes people feel like they are active participants in creating a better society. That was important for me not only personally, but also because regardless of what I was doing, or speaking about, I was always trying to find a way to address this problem. When I found All Together Now operating in that space and I heard about their projects, I wanted to be involved and be able to help them and to make contributions.
All Together Now: How much is the spirit of multiculturalism felt in the underground hip-hop community? Is this community open to everyone who is willing to join it?
L-Fresh the Lion: Hip-hop since its inception is in America, but also in Australia has been very multicultural. Some of the first people who operated in the space of hip-hop in Australia came from all worlds of life. From the perspective of the present, contemporary hip-hop is on the level where you have people from diverse backgrounds, operating in this space. This is because, like I mentioned earlier, hip-hop erases all those barriers that tend to differentiate us as human beings. So, it’s a very multicultural space that often doesn’t get reflected in mainstream media. That’s because we have issues in the entertainment industry as a whole, which haven’t been spoken about quite extensively. Most recently it was discussed, I think on Sunrise, there was debate about the lack of diversity in the entertainment industry and, more specifically, on TV. Lack of diversity is something that is prevalent in all entertainment industries in Australia. But the roots of this problem are on a community level. That is what people don’t see unless they are active participants in hip-hop. Hip-hop is very, very diverse.
All Together Now: Do you have a big dream? What is that?
L-Fresh the Lion: Wow (laughing), I have lots of dreams. I suppose, it depends on context, you know, because I have dreams in a variety of different aspects in my life. If we are talk about dreams on my personal level, I have dreams in terms of what family I would like to build, or dreams about music. But I also have dreams about what I would like to see in politics, or what I would like to see in the world. I think, those things are important, and I want to share these dreams with people. I would like to see a country that could be an example of a space of values. I’d love to see the dominant culture in Australia becomes one of welcome, one of love and compassion, and one of valuing all human lives equally, and not some more than others.
I would like to see these dreams not just be reflected on a theoretical level, but enforced on a practical level. To ensure that inequality is addressed, we firstly have to begin with the inequality gap between Indigenous Australians and the rest of the community, as well as looking at the gender inequality between Australian men and women. The discussion of inequality is also raised when we are talking about the way we treat asylum seekers and refugees, and migrants in general in the context of race. I think these are all things that come down to the culture we live in, especially when we don’t have a dominant culture that consists of positive values. I would like to see Australia leading in that space of positive values. It is a dream that I have to speak out about, because Australia could be a leading example of positive racial culture and show this to the rest of the world, so that they can follow.
All Together Now: What do you consider makes a person a ‘Real Australian’?
L-Fresh the Lion: I think the answer to this question is something that I have been looking for my whole life. Been born in Australia, in South-West Sydney, and growing up here for a long period of time, and even to this day at some point, I’ve been made to question myself. People have questioned how Australian I am, because I don’t look like what people would consider an average Australian to look like. I look culturally different. So, I’ve been looking for that answer for a long, long time, because at what point can we collectively determine who is and who isn’t an Australian?
You know, I think, that the answer is obvious when you ask does the person have an Australian passport, or is that person an Australian citizen. But when you enter the term ‘Real Australian’ that makes things much, much more complicated. ‘Real’ becomes a question mark. How can we determine it? I think some important questions come with this word and we need to think about it. I don’t think that I have as an individual the sole power to determine who is or who isn’t a ‘Real Australian’. And I think that it’s a collective conversation that needs to be held one day so that Australia can have a discussion on race from a power and structural frame of mind.
Find out more about L-Fresh the Lion here.
L-Fresh the Lion was also featured on Pro Bono here.